Xylofonkøller Innovative Percussion CL-X4, Chris Lamb, Blue Xylophone

Christopher Lamb Orchestral Series - Xylophone Mallets

After more than two years of intense development, this exceptional collection of mallets takes clear aim at the unique timbre possibilities that one is able to create on the xylophone. The Christopher Lamb Orchestral Series xylophone mallets are constructed with individually engineered custom-molded cores with varying weights specific to each model, strategically placed in either the top or center of the mallet head to create optimum feel, balance, and sound. This series allows the player to experience the colorful, comically clever side of the xylophones character, as well as its cutting edge, powerhouse presence required in a concert hall. Take time to examine the wood on wood collection (made with Honduras rosewood cores) for an ever expanding point of view. Given the considerable magnitude of orchestral repertoire, the countless solo materials written for xylophone, along with the varieties of touch needed, these tools will help the player craft his or her desired sound.

CL-X4 1 nylon top-weighted core: blue; this mallet has great balance and moderate weight, could go up against any heavier model.

Christopher S. Lamb
Manhattan School of Music
New York Philharmonic Principal Percussionist
  
Grammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur.
A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow.
Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.