Un poqujito Cantas - Folksongs from Around the World. 3-part Choir SAB

Norsk Korbok - 58 utvalgte korsanger for blandakorKomponist: DiverseTekstforfatter: DiverseArrangør:  DiverseType kor:  BlandakorGenre:  Folketoner norske / Seriøs/klassiskKommentar: For det meste SATB a cappella Forord:Norsk korbevegelse forvalter en rik kulturarv som strekker seg fra folkemusikkens lange røtter via den nasjonalromantiske periode, til det siste århundrets klassiske komponister og visesangere. Det finnes et stort mangfold av korutøvelse i vårt langstrekte land, fra små vokalensembler til bygdekor og store oratoriekor. Korboka viser et tverrsnitt av musikalsk og tekstlig uttrykk som finnes i norsk a  cappella korlitteratur for blandakor. Vi håper samligen kan bidra til å utvikle et kjernerepertoar blant norske kor, et repertoar som sangere og dirigenter kjenner og som kan styrke fellesskapet på lokale og nasjonale arenaer der korfolk møtes. Agnus Dei (fra Missa brevis) (Leif Solberg)Ave Maria (Trond H.F. Kverno)Ave Maria (Andrew Smith)Ave maris stella (Edvard Grieg)Balladen om freden (Johan Kvandal)Blå kveill (Tove Karoline Knutsen, arr. Ola Graff)Blå salme (Henning Sommerro)Bruremarsj fra Valdres (arr. Steinar Eielsen)Bruremarsj fra Valsøyfjord/Aure (arr. Henning Sommerro/Grete Pedersen)Bruremarsj fra Østerdalen (arr. Per H. Indrehus)Bysjan, bysjan lite bån (arr. Frank Havrøy)Christe eleison (Georg Reiss)Den fyrste song (Lars Søraas, arr. Bjarne Volle)Den yndigste rose (arr Henrik Ødegaard)Det lysnede i skogen (Sigurd Islandsmoen)Dropen (Conrad Baden)Du som låg i natti seine (Johan H. Grimstad)Eg veit i himmerik ei borg (arr. Ludvig Nielsen)Fagert er landet du oss gav (Melchior Vulpius, arr. Per Steenberg)Fjell-Noreg (Carl Gustav Sparre Olsen)Gjendines bådnlåt (arr. Gunnar Eriksson)Gud signe vårt dyre fedreland (C.E.F. Weyse, arr. Oscar Borg)Herre Gud! Dit dyre navn og ære (arr. Øistein Sommerfeldt)Herre Jesus gi meg nåde (arr. Bjarne Sløgedal)I will praise thee, O Lord (Knut Nystedt)Ja, vi elsker dette landet (Rikard Nordraak)Jeg er i Herrens hender (Sigurd Lunde, arr. Per Inge Almås)Jesus, din søte forening å smake (arr. Knut Nystedt)Jubilate, amen (Halfdan Kjerulf)Jubilate Deo (Arild Sandvold)Karin Boyes aftonbön (Egil Hovland)Kongesangen (fra Thesaurus Musicus, 1744)Kvite vengjer (Thomas Beck)Marias lovsang (arr. Odd J. Overøye)Masurka (Jentelokken) (arr. Andrew Smith)Med Jesus vil eg fara (arr. Henning Sommerro)Mellom bakkar og berg (L.M. Lindeman, arr. Sverre Volle)Menuett i mai (Vidar Sandbeck, arr. Bjarne Volle)Mitt hjerte er ditt (Geir Holmsen, arr. Hans Waagø)No livnar det i lundar (L.M. Lindeman, arr. Henrik Ødegaard)No vi' eg a' te' Jondalen og fri (arr. Henrik Ødegaard)Naar fjordene blaaner (Alfred Paulsen, arr. Kristian Wendelborg)Peace I leave with you (Knut Nystedt)Pål sine hønur (arr. Knut Nystedt)Påls fuge (Sigvald Tveit)Småsporven (Catharinus Elling, arr. Dag Kristoffersen)Solskinnsvise (Preben Nodermann, arr. Henrik Ødegaard)Sulle, rulle gulldokka mi (arr. Arne Dagsvik)Sønnavindvalsen (Bjarne Amdahl, arr. Per H. Indrehus)Tota pulchra es (Ola Gjeilo)Trolldans (arr. Bjørn Kruse)Ut mot havet (Edvard Fliflet Bræin)Vitae lux (Frode Alnæs, arr. Stein Ivar Mortensen)Vuelie Skæhkaristie (Frode Fjellheim)Vårsøg (Henning Sommerro)Å, eg veit meg eit land (Barndomsminne fra Nordland) (Adolf Thomsen, arr. Henning Sommerro)Å vesle Kari vår (arr. Eyvind Alnæs)   

A flowing piano accompaniment and a melody that captures the mystery of this beautiful Rossetti text. From Ola Gjeilo's album Winter Songs. Can be performed with piano only or with piano and string quartet.MINIMUM 10 EKSEMPLARER!!

100 Carols for ChoirsPaperbackEdited and arranged by David Willcocks and John RutterDescription74 of the most popular items from Carols for Choirs 1, 2 and 3 in one volume, plus 26 pieces new to the series. The volume contains both accompanied and unaccompanied items, and the Order of Service for a Festival of Nine Lessons and Carols. Orchestral and brass ensemble accompaniments for many of the items are available on hire.Table of ContentsAdam lay ybounden, WarlockAll my heart this night rejoices, EbelingAlleluya, a new work is come on hand, WishartAngels, from the realms of glory, WillcocksAngelus ad virginem, WillcocksAs with gladness men of old, WillcocksAve plena gracia, Maxwell DaviesAway in a manger, Kirkpatrick/WillcocksA babe is born, MathiasBirthday carol, WillcocksThe cherry tree carol, WillcocksChild in a manger, RutterA child is born in Bethlehem, WillcocksChristmas night, RutterCoventry carol, RutterCoventry carol, ShawCradle song, RutterThe crown of roses, TchaikovskyDeck the hall, WillcocksDing dong! merrily on high, WillcocksDing dong! merrily on high, WoodThe first Nowell, WillcocksGabriel to Mary came, WillcocksGabriel's message, WillcocksGod rest you merry, gentlemen, WillcocksGood King Wenceslas, WillcocksA great and mighty wonder, PraetoriusHail! Blessed Virgin Mary, WoodHark! the herald-angels sing, Mendelssohn/WillcocksHe is born the divine Christ-child, WillcocksHere we come a-wassailing, RutterThe holly and the ivy, Walford DaviesHush! my dear, lie still and slumber, WillcocksI saw a maiden, PettmanI saw three ships, RutterI saw three ships, WillcocksI wonder as I wander, Niles/RutterIl est né le divin enfant, WillcocksIn Dulci Jubilo, PearsallIn the bleak mid-winter, HolstIn the bleak mid-winter, DarkeInfant holy, infant lowly, WillcocksThe Infant King, WillcocksIt came upon the midnight clear, WillcocksJesus child, RutterJesus Christ is risen today, WillcocksJesus Christ the apple tree, PostonJingle, bells, Pierpont/WillcocksJoy to the world, Mason/RutterJoys seven, CleoburyKing Jesus hath a garden, WoodKings of Orient, Hopkins/WillcocksLo! he comes with clouds descending, WillcocksLo, how a Rose e'er blooming, PraetoriusLongfellow's carol, PercivalLord of the Dance, Carter/WillcocksLute-book lullaby, Ballet/ShawA maiden most gentle, CarterMary's Lullaby, RutterA merry Christmas, WarrellMyn lyking, R. R. TerryNativity carol, RutterA New Year carol, BrittenO come, all ye faithful, Wade/WillcocksO come, o come, Emmanuel, WillcocksO little one sweet, J. S. BachO little town of Bethlehem, Vaughan Williams/ArmstrongO little town of Bethlehem, Walford DaviesO Queen of heaven, RogersOf the Father's heart begotten, WillcocksOnce, as I remember, WoodOnce in royal David's city, Gauntlett/Mann/WillcocksOut of your sleep, Rodney BennettPast three a clock, WoodPersonent hodie, HolstQuelle est cette odeur agréable?, WillcocksQuem pastores laudavere, RutterRise up, shepherd, and follow, RutterSans Day Carol, RutterSee amid the winter's snow, WillcocksThe shepherds' farewell, BerliozShepherds in the field abiding, WillcocksShepherds left their flocks a-straying, RutterShepherd's pipe carol, RutterSilent night, Gruber/WillcocksSing aloud on this day!, HolstSir Christèmas, MathiasA spotless Rose, HowellsStar carol, RutterStill, still, still, LedgerStille Nacht, Gruber/WillcocksSussex carol, WillcocksThere is a flower, RutterThere is no rose, StevensThis Christmas night, WilliamsonThis joyful Eastertide, WoodThe three kings, Cornelius/AtkinsTomorrow shall be my dancing day, WillcocksThe truth from above, Vaughan WilliamsThe twelve days of Christmas, RutterUnto us is born a son, WillcocksUp! good Christen folk, and listen, WoodwardA virgin most pure, WoodWassail song, Vaughan WilliamsWexford carol, RutterWhat cheer?, WaltonWhen Christ was born, JacquesWhence is that goodly fragrance flowing?, WillcocksWhile shepherds watched their flocks, WillcocksYe choirs of new Jerusalem, Gauntlett/Willcocks Composer InformationEdited and arranged by David Willcocks, Former Kings College Chapel Director of Music, London; conductor Bach Choir, and John Rutter, OUP composerBorn in 1919, David Willcocks began his musical career as a chorister at Westminster Abbey, later winning scholarships to Clifton College and King's College, Cambridge. Following war service, he was elected Fellow of King's College, and later became Organist of Salisbury and Worcester Cathedrals, conducting the Three Choirs Festival whilst at Worcester. Willcocks returned to King's College, Cambridge as Director of Music from 1957-1974, with the first collection of his arrangements in the Carols for Choirs series publishing in 1961. He was Director of Music at the Royal College of Music from 1974-1984, and was knighted in the Queen's Silver Jubilee Honours List in 1977. Willcocks also conducted The Bach Choir for 38 years, retiring in 1998. Sir David died in September 2015.John Rutter studied music at Clare College, Cambridge and first came to notice as a composer and arranger of Christmas carols and other choral pieces during those early years; today his compositions, including such concert-length works as Requiem, Magnificat, Mass of the Children, The Gift of Life, and Visions are performed around the world. John edits the Oxford Choral Classics series, and, with Sir David Willcocks, co-edited four volumes of Carols for Choirs. In 1983 he formed his own choir The Cambridge Singers, with whom he has made numerous recordings on the Collegium Records label, and he appears regularly in several countries as a guest conductor and choral ambassador. John holds a Lambeth Doctorate in Music, and was awarded a CBE for services to music in 2007.

Bach, Johann SebastianSt. John Passion BWV 245- The tried-and-tested content of the complete edition now in a soft-cover score- Extensive Foreword in German and now also in EnglishDetailed product informationEdition no.BA: 05037-90ISMN: 9790006462230Volume/Series: BÄRENREITER URTEXTEditor: Mendel, ArthurLanguage(s) of work: GermanLanguage(s) of text: English, GermanProduct format:  Vocal Score, Urtext editionInstrumentation: Soprano solo, Alto solo, Tenor solo (2), Bass solo (2), Mixed choir (SATB), OrchestraBinding: PaperbackPages/Format: VIII, 265 S. - 31,0 x 24,3 cmDescription BA 5037-90 replaces the previous vocal score. The article number remains unchangedThe text appears in slightly larger type size and a clearly legible fontThe pagination has been adopted from the previous edition. This means that you can rehearse and perform this work with some singers using this new edition and some the old Bärenreiter editionThis vocal score is fully compatible with all existing performance material (BA 5037)The new vocal score includes a revised piano reduction. It is based on the reliable Walter Heinz Bernstein piano reduction but has been revised and re-engraved, making it far easier to read and playA more exact spacing of underlaid words has been included in the vocal partsContent· Parte Prima· Chorus: Herr, unser Herrscher / Lord, Thou our Master· Evangelista, Jesus: Jesus ging mit seinen Jüngern / Jesus went with His disciples· Chorus: Jesum von Nazareth / Jesus of Nazareth· Evangelista, Jesus: Jesus spricht zu ihnen / Jesus saith unto them· Chorus: Jesum von Nazareth / Jesus of Nazareth· Choral: O große Lieb / O wondrous love· Choral: Dein Will gescheh, Herr Gott, zugleich / Thy will must all creation do· Wer hat dich so geschlagen / Who was it, Lord, did smite Thee· Evangelista: Und Hannas sandte ihn gebunden / Now Annas had had Jesus bound· Chorus: Bist du nicht seiner Jünger einer / Art Thou not one of His disciples· Choral: Petrus, der nicht denkt zurück / Peter, while his conscience slept· Parte Seconda· Choral: Christus, der uns selig macht / Christ, who knew no sin or wrong· Evangelista, Pilatus: Da führeten sie Jesum / Then led away they Jesus· Chorus: Wäre dieser nicht ein Übeltäter / If this man were not a malefactor· Evangelista, Pilatus: Da sprach Pilatus zu ihnen / Then Pilate said unto them (Tenore,· Chorus: Wir dürfen niemand töten / By death we may not punish· Choral: Ach großer König / Ah, mighty King· Evangelista, Pilatus, Jesus: Da sprach Pilatus zu ihm / Then Pilate said unto Him· Chorus: Nicht diesen, sondern Barrabam / Not this man, give us Barrabas· Evangelista: Und die Kriegsknechte flochten eine Krone / The soldiers platted then for Him a crown· Chorus: Sei gegrüßet, lieber Jüdenkönig / King we hail Thee, King of Jews· Evangelista, Pilatus: Und gaben ihm Backenstreiche / And then with their hands they smote Him· Chorus: Kreuzige, kreuzige / Crucify, crucify· Evangelista, Pilatus: Pilatus sprach zu ihnen / Then unto them saith Pilate· Chorus: Wir haben ein Gesetz / We have with us a law· Choral: Durch dein Gefängnis, Gottes Sohn / Our freedom, Son of God· Evangelista: Die Jüden aber schrieen und sprachen / But the Jews cried out and shouted· Chorus: Lässest du diesen los / If thou let this man go· Evangelista, Pilatus: Da Pilatus das Wort hörete / Then when Pilate heard them speaking thus· Chorus: Weg, weg mit dem / Away with Him· Evangelista, Pilatus: Spricht Pilatus zu ihnen / Pilate saith unto them· Chorus: Wir haben keinen König / We have no King but Caesar· Aria: Eilt, ihr angefochtnen Seelen / Come ye souls whom care oppresses (Basso)· Evangelista: Allda kreuzigten sie ihn / And there crucified they Him (Tenore)· Chorus: Schreibe nicht: der Jüden König / Write Him not as our King· In meines Herzens Grunde / Within my hearts recesses· Evangelista: Die Kriegsknechte aber / And then did the soldiers· Chorus: Lasset uns den nicht zerteilen / Let us rend not nor divide· Choral: Er nahm alles wohl in acht / In His final hour did He think· Aria: Mein teurer Heiland, lass dich fragen / O Thou my Saviour give me answer· Choral: O hilf, Christe, Gottes Sohn / Help, O Christ, Thou Son of God· Chorus: Ruht wohl, ihr heiligen Gebeine / Rest well, beloved, sweetly sleeping· Choral: Ach Herr, lass dein lieb Engelein / Ah Lord, when comes that final day· Anhang / Appendix· Choral: O Mensch, bewein dein Sünde groß / O man, thy grievous sins bemoan· Choral: Christe, du Lamm Gottes / Lamb of God, Lord Jesus Orchestral material and related productsBach, Johann Sebastian / St. John Passion BWV 245 /BÄRENREITER URTEXTTP00197 Study score, Urtext editionBA05037-90 Vocal Score, Urtext editionBA05037-91 Choral score, Urtext edition - Minimum qty.: 10BA05037-01 Complete edition, Score, Urtext edition, New Bach Edition (NBA) II/4BA05037-41 Complete edition, Critical commentary, New Bach Edition (NBA) II/4BA05037-74 1. Violin Part BA05037-75 2. Violin PartBA05037-79 Viola PartBA05037-65 Wind setBA05037-67 Organ PartBA05037-86 Basso continuo, Violoncello, Double bass, Bassoon PartBA05037-96 Soprano (Choral voice) Part, Minimum qty.: 10BA05037-97 Alto (Choral voice) Part, Minimum qty.: 10BA05037-98 Tenor (Choral voice) Part, Minimum qty.: 10BA05037-99 Bass (Choral voice) Part, Minimum qty.: 10

Maurice Durufle: Requiem Opus 9Product DetailsSubtitle: pour chant, orgue & quintette à cordesComposer: Maurice DurufléInstrumentation: OrganPublisher: Editions DurandProduct Type: PartYear of Publication: 2001ISMN: 9790044065851Edition Number: DF 13900-01

Choir Folder Sleeves For Single Sheets (Pack Of 5)Item No. MAP11641  This pack contains 5 clear plastic sleeves that can be used to store sheet music within a choir folder. PASSER TIL KORMAPPE VARENUMMER  MAP11630010

PIANO ADVENTURES PERFORMANCE BOOK LEVEL 2BDESCRIPTIONThe revised 2B Performance Book fosters a love of the piano while stretching students' technique and musical expression. Eight additional pages feature three new pieces, including a lively four-hand duet. Students will enjoy the challenge of the three-movement Classic Sonatina, included at the end of the book as a special graduation piece.SPECIFICATIONSComposer Nancy FaberComposer Randall FaberMR-Product Format Instrumental AlbumInstrument Group Piano or KeyboardInstrumentation PianoProduct Type Book [Softcover]Series Faber Piano Adventures®Publisher Faber Piano AdventuresGenreView Description MethodYear of Publication 1997No. Pages 40ISBN 9781616770860UPC 674398201365Edition Number HL00420179No. HL00420179SONGLIST1. Brahm's Lullaby2. Minuet3. Music Box Waltz4. Fur Elise5. The British Grenadiers6. Come Sail Away7. The Milky Way8. Everybody Loves Saturday Night9. A Day At The Carnival10. In My Red Convertible11. Kum Ba Yah (Come By Here)12. Pagoda Ttree13. Sunburst Waltz14. The Dragon Hunt15. The Time Machine (A Stop At The 18Th Century)16. Theme By Haydn17. Tingalayo

Blue Juice Valve Oil Blue Juice Valve Oil is a light, fast, refined petroleum product thats especially effective on close-tolerance musical instrument valves. What distinguishes Blue Juice valve oil-aside from its distinctive blue coloring-is that it delivers an anti-corrosion agent for extra protection. 2 oz. 

Mute Trombone Harmon/ET Denis Wick 5507 AluminiumDescription:Denis Wick 'E.T.' mutes are well engineered 'Wow' mutes of traditional design. They all work well with tubes either in, extended, or removed. The trombone and bass trombone models are particularly good in the usually difficult low register. 

Black Diamond Clarinet mouthpiecesThe Black Diamond Ebonite range now includes Eb, Bb, Alto and bass clarinet. Black Diamond mouthpieces offer the musician a full sound, rich in depth and color, especially in the upper register of the clarinet.General info:The Black Diamond Ebonite mouthpiece features a new internal and external design. These developments offer the musician a full sound, rich in depth and color, especially in the upper register of the clarinet.3 models are available for the Bb clarinet (BD4, BD5 and BD7)The Bb clarinet BD5 also comes in Series 13 (American diapason).The Mouthpiece BD5D is specially designed to be played with German system clarinets and French reeds.The BD5 is the first mouthpiece that allows one to play on Bass Clarinet with an embouchure similar to that of a Bb Clarinet.The Black Diamond mouthpiece also exists for the Mib and Alto/Cor basset clarinets.The opinion of the Vandoren experts:The BD5 Bass Clarinet mouthpiece is very responsive and provides a very round and full bodied sound while requiring less air to do so.Explanation of the mouthpiece's structure and its opening:Opening 1/100 mm: 187Facing length: Medium LongInstrument: Bass ClarinetSeries: Clarinet Black Diamond mouthpiecesCode: CM145 (Single Mouthpiece)

Lip Renew0.26 oz.  Rapid relief of swollen, stressed and overworked lips and mouth muscles Made to be used during a performanceAll natural formulaFast absorbingRobinsons Remedies Lip Renew was born out of the reaction to our first product, Lip Repair for Cold Sores. When Ken Robinson conceived of Lip Repair, he worked with our team at the US Botanical Safety Laboratories to create a product that not only provided rapid relief of cold sores, but rapidly reduced swelling of the lip tissue while soothing and moisturizing dry and cracked lips. It was so effective at reducing inflammation and moisturizing that musicians who DO NOT get cold sores were buying the product anyway and finding that it helped tremendously!So we set about researching how we could deal specifically with what wind musicians really wanted: a product that helps them improve their endurance. And what we found is that reducing inflammation is only part of the solution. In addition to lip swelling and fatigue, the muscles that help create the embouchure also fatigue. And after the physical stress of playing, excessive lactic acid builds up in the muscles which reduces endurance and inhibits recovery.We couldnt find a product anywhere that works quickly to not only treat lip inflammation, but be effective at treating muscle fatigue and help improve recovery time to make those grueling rehearsal and performance days more tolerable.And so, working with our expert formulators at USBSL and after weeks of testing under real life performance conditions by a group of professionals led by Walter White, we created a formula that we believe is truly a game changer!Try it for yourself and see!AboutRobinsons Remedies Lip Renew was born out of the reaction to our first product, Lip Repair for Cold Sores. When Ken Robinson conceived of Lip Repair, he worked with our team at the US Botanical Safety Laboratories to create a product that not only provided rapid relief of cold sores, but rapidly reduced swelling of the lip tissue while soothing and moisturizing dry and cracked lips. It was so effective at reducing inflammation and moisturizing that musicians who DO NOT get cold sores were buying the product anyway and finding that it helped tremendously!So we set about researching how we could deal specifically with what wind musicians really wanted: a product that helps them improve their endurance. And what we found is that reducing inflammation is only part of the solution. In addition to lip swelling and fatigue, the muscles that help create the embouchure also fatigue. And after the physical stress of playing, excessive lactic acid builds up in the muscles which reduces endurance and inhibits recovery.We couldnt find a product anywhere that works quickly to not only treat lip inflammation, but be effective at treating muscle fatigue and help improve recovery time to make those grueling rehearsal and performance days more tolerable.And so, working with our expert formulators at USBSL and after weeks of testing under real life performance conditions by a group of professionals led by Walter White, we created a formula that we believe is truly a game changer!Try it for yourself and see! Product Infowax freeabsorbs in secondspleasant vanilla mint flavorall natural formulaquickly reduces inflammationhelps prevent excess lactic acid build up in musclessupports oxygenation and blood flow to the muscleheals cuts quicklycan even be used during performance without wiping offThis revolutionary new product is free of waxes, petrolatum, camphor, saccharin, alcohol or harsh chemicals. It contains a blend of minerals, amino acids, plant extracts and oils that our research indicates has three key benefits.First, it rapidly reduces swelling of the lip tissue.Second, it reduces muscle fatigue in part by preventing the accumulation of lactic acid in the muscle tissue.Third, it improves oxygenation and blood flow to the muscle tissue. And that gentle cooling and tingling sensation? Thats how you know it works!  Ingredients water, kava extract, aloe vera, arnica oil, glycerin, st johns wort oil, leucidal liquid, magnesium glycinate, EcoGel, Heliofeel, amticide coconut, taurine, caffeine, vanilla extract, stevia, silica, menthol crystals, milk peptide complex, rosemary oil, lavender oil, magnesium chloride, CoQ10, BHT. Brand AmbassadorWALTER WHITETrumpeter-Bandleader-Composer-Arranger-Educator-ProducerWalter White has emerged with a personal voice on both trumpet and flugelhorn. his playing is darkly incantatory, furiously intense, risk-laden, harmonically astute, rhythmically free, with roiling passion tempering a sharp intellect. His bands play solid originals and his own exciting arrangements from both the standard jazz and classical literature.Walter serves as leader of the Walter White Jazz Quartet, the Walter White Big Band, and his 11-piece band, Walter White & Small Medium @ Large, who recently released the recording, Breaking Good, which received substantial national radio play and reached into the top 20 on the Jazz Week charts. His newest jazz quartet recording, Walter White Quartet, Most Triumphant, was released in July 2014 on Summit Records and stayed on Jazz Weeks top-50 charts for over ten weeks.Walter White grew up in a musical family near Detroit, MI, which inspired him to begin his musical career. Walters expressive trumpet playing led him to collaborate with many of the top names in music including: Bob James, Maynard Ferguson, Dave Holland, the Mingus Big Band, the Detroit Symphony Orchestra, the Lincoln Center Jazz Orchestra with Wynton Marsalis, and Arturo Sandoval.Walters playing has enhanced the sound tracks of records, movies, and television, including network sitcoms, TAXI and The Cosby Show. As a recording studio owner, Walter produces music for records, television, and film. In 1994, Walter produced the Walter White Long-tone Accompaniment, a play-along CD for music practice, now in its third printing.Walter White is a Yamaha Artist & Clinician and is active as an educator, teaching privately and holding master classes and clinics across the country and abroad. 

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