Stortrommeklubbe Freer Percussion BD3R, Medium Rosewood w/Hard Chamois

Stortrommeklubber Freer Percussion BDF7, Carbon Fiber Shaft, Maple Ball Dual Hard/SoftBDF7 CARBON FIBER SHAFT LARGE DISC CORE BASS DRUM ROLLERS (SOLD IN PAIRS)Carbon Fiber Shaft, Bass Drum MalletsThe BDF7 has now been reinvented with a new fiberglass shaft, new thicker/softer base felt and a new synthetic wool covering with a faux suede backing.DESCRIPTIONThis is a large roller that is still easy to roll with and can provide you an absolutely stroke-less roll sound which the orchestra will feel in their seats. If youre looking for something that will get the most fundamental deep end out of any size bass drum and create that subwoofer undertonethis is the mallet. It is also a great mallet for single notes where you want nearly no attack because of the large head. It produces no point to the sound at all, so for soft single notes it is unbeatable. Also excellent on small tam tams and medium sized tuned gongs. Highly recommended for the long soft rolls in Stravinsky Firebird. You will feel and hear rumble but not hear roll strokes.

Stortrommeklubber Freer Percussion BDFG, Carbon Fiber Shaft General Felt BDFG CARBON FIBER SHAFT GENERAL FELT BASS DRUM MALLETS (SOLD IN PAIRS)Carbon Fiber Shaft, Bass Drum MalletsThis new model is based on the same design as the BDF1 yet still lighter than the standard BD4 wood shaft model. Its perfect for players that prefer traditional grip when playing with pairs.They are extremely versatile. It is essentially the lighter weight version of its big hickory brother, the BD4. Same head size and American felt covering as the BD4, but with the added agility of the smaller diameter fiberglass shaft design. Great for any rhythms or grace notes such as Carmina Burana and of course ALL Prokofiev bass drum parts. Or as a general beater on smaller drums for a smaller more compact sound. Extremely versatile and excellent on small tam tams and medium tuned gongs.

Stortrommeklubber Innovative Percussion CL-BD12C, Chris Lamb Orchestral Bass Drum Beaters - Classic Wood/ChamoisCL-BD12CCONCERT BASS DRUM - "CLASSIC WOOD" (pair) The CL-BD12C Classic Wood trims down the sound of a single wood core and does the fine work of the Maximus, but with more detail and finesse. The added chamois cover provides a firm yet warm articulation. Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubbe Innovative Percussion CL-BD3, Chris Lamb Orchestral Bass Drum Beater - IgorThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.CL-BD3 Igor: This maroon punchy assistant to the Big Beater gives a bit more bite at impact and is slightly harder and drier less boom, more punchChristopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubbe Innovative Percussion CL-BD2, Chris Lamb Orchestral Bass Drum Beater - GeneralThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.CL-BD2 General: This multiple use mallet cannot only roll and sustain but also provide single notes prior to and at the end of rolls.  The contour of the handle allows the player to move his/her hand to the correct balance point for the particular passage.Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubbe Innovative Percussion CL-BD1, Chris Lamb Orchestral Bass Drum Beater- Big Beater The bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.L-BD1 Big Beater: This large, top heavy mallet will give the big boom required by the music.  Dont push this mallet just flex the wrist and let the top end work for youChristopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Black Diamond Clarinet mouthpiecesThe Black Diamond Ebonite range now includes Eb, Bb, Alto and bass clarinet. Black Diamond mouthpieces offer the musician a full sound, rich in depth and color, especially in the upper register of the clarinet.General info:The Black Diamond Ebonite mouthpiece features a new internal and external design. These developments offer the musician a full sound, rich in depth and color, especially in the upper register of the clarinet.3 models are available for the Bb clarinet (BD4, BD5 and BD7)The Bb clarinet BD5 also comes in Series 13 (American diapason).The Mouthpiece BD5D is specially designed to be played with German system clarinets and French reeds.The BD5 is the first mouthpiece that allows one to play on Bass Clarinet with an embouchure similar to that of a Bb Clarinet.The Black Diamond mouthpiece also exists for the Mib and Alto/Cor basset clarinets.The opinion of the Vandoren experts:The BD5 Bass Clarinet mouthpiece is very responsive and provides a very round and full bodied sound while requiring less air to do so.Explanation of the mouthpiece's structure and its opening:Opening 1/100 mm: 187Facing length: Medium LongInstrument: Bass ClarinetSeries: Clarinet Black Diamond mouthpiecesCode: CM145 (Single Mouthpiece)

Stikkebag Vic Firth VXSB0063, Performer Classic Stickbag, Black/RedVic Firth Performer Classic Stickbag - Sort og rødStor bag som rommer ca 12 par stikker, avhengig av modell og størrelse, samt et par visper i det dedikerte visperommet. Performer Classic Stick Bag er laget av vannavvisende og slitesterkt nylonstoff. Vesken er utstyrt med bærehåndtak, avtagbar skulderstropp, to stropper med kroker for å kunne henge den på gulvtam, stor utvendig lomme for tilbehør og flere rom på innsiden. Innvendig er det en brakett for f.eks. stemmenøkkel eller øreplugg-etui. Spesifikasjoner VXSB0063: - Farge: Sort og rød - Materiale: Behandlet nylonstoff - Rommer ca 12 par stikker - Eget rom for visper - Flere rom - Håndtak - Avtakbar skulderstropp - Remmer for oppheng NB: Stikker, visper og annet tilbehør er ikke inkludert

Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 45cm

POWERbreathe PlusMedium Resistance - BlueAbout POWERbreathe Plus Medium ResistanceSecond generation POWERbreathe Inspiratory Muscle Training (IMT) device65% improvement in airflow dynamics than the ClassicMechanical, adjustable with load setting indicatorDrug-free - no side effects or drug interactionsWashableMedium Resistance Load SettingsLevel 0 = 23cmH2O Level 1 = 39cmH2OLevel 2 = 55cmH2OLevel 3 = 72cmH2OLevel 4 = 88cmH2OLevel 5 = 104cmH2OLevel 6 = 121cmH2OLevel 7 = 137cmH2OLevel 8 = 153cmH2OLevel 9 = 170cmH2OLevel 10 = 186cmH2OPrecise load settings may vary due to: (1) the analogue nature of the calibrated spring tensioner and the precision with which the load is selected; (2) a small effect of inspiratory flow rate upon spring compression such that high inspiratory flow rates lead to greater spring compression, and a small increase in load.This effect is common to all spring loaded devices, and its size is magnified by increasing spring range (it is larger in a spring with a maximum range of 90cmH2O compared with one with half this range), it is also greater at lower absolute load settings.About POWERbreathe Plus IMTPOWERbreathe is a scientifically proven Inspiratory Muscle Training (IMT) device, developed by leading scientists for improving the strength and endurance of the muscles used to breathe in, primarily the diaphragm and intercostals / rib cage muscles.As with any other muscle, respiratory muscles can be trained so that they are more resistant to fatigue. This resistance to fatigue results in reduced breathlessness and enhanced exericse tolerance. POWERbreathe Plus uses scientifically proven Pressure Threshold Training. This provides a specific and consistent pressure to train against. When breathing in through POWERbreathe the load calibrated spring provides the resistance.  Use and CareHow to use:Put the nose-clip on so that it pushes your nostrils together (this is optional but prevents you from breathing in through your nose).Breathe in quickly and forcefully through your POWERbreathe for 30 breaths twice a day (preferably morning and night so you allow your inspiratory muscles time to recover in between sessions). This is the scientifially proven training regimen.As your inspiratory muscle strength and stamina improve, adjust and increase the resistance.Within a few days your inspiratory muscles will feel stronger; within 3-weeks youll feel less breathless; and within 4 weeks activities will feel easier.Full instructions are provided in the accompanying user manual.Cleaning:Your POWERbreathe will be exposed to saliva during use. We recommend that a few times a week your POWERbreathe should be soaked in warm water for about 10 minutes (see your POWERbreathe Manual for full details).Once a week your POWERbreathe should be soaked in a mild cleansing solution instead of water, using the POWERbreathe Cleansing Tablets - only 1 tablet is required each time. Precautions and ContraindicationsPOWERbreathe is drug free, suitable for almost anyone and should cause no harmful side effects when used properly. Please read the following precautions and contraindications to ensure that you use your POWERbreathe safely and appropriately.If you have any doubts about POWERbreathes suitability, or you have a medical condition, please consult your doctor.Precautions:Do not make changes to any prescribed medication or prescribed treatment programme without consulting your doctor.Do not use POWERbreathe if you are suffering from a ruptured eardrum.To prevent the potential transmission of infections, we recommend that you do not share your POWERbreathe with other users, including family members.This product is not intended to diagnose, treat, cure or prevent any disease.POWERbreathe is designed for exercising your inspiratory muscles only. No other use is intended or implied.Anyone who is under the age of 16 should only use POWERbreathe with supervision from an adult. POWERbreathe contains small parts and is not suitable for children under 7 years.Whilst training with POWERbreathe you should feel resistance when inhaling but it should not be painful. If you should feel pain whilst using POWERbreathe, stop immediately and consult your doctor.Some users may experience slight ear discomfort when training with Medic Plus, especially if they are recovering from a cold. This is caused by inadequate equalisation of pressure between the mouth and ears. If symptoms persist, please consult your doctor.If you are suffering from a cold, sinusitis or respiratory tract infection, we advise that you do not use POWERbreathe until symptoms have disappeared. If in doubt, consult your doctor.Refer to your Healthcare Professional before using POWERbreathe if you have any of the following conditions: A history of spontaneous pneumothorax (a collapsed lung that was not due to traumatic injury e.g. broken rib), as it may lead to a recurrence of the condition.Pulmonary hypertension o Large bullae on chest x-rayMarked osteoporosis with history of rib fracturesDesaturation during or following IMT (ContraindicationsInspiratory muscle training, such as training with POWERbreathe, is not recommended for patients with certain conditions, including the following:Asthma patients who have low symptom perception and suffer from frequent, severe exacerbations or with an abnormally low perception of dyspnoeaIf you are suffering from a ruptured eardrum or any other condition of the earPatients with marked elevated left ventricular end-diastolic volume and pressurePatients with worsening heart failure signs and symptoms after RMT / IMTIf in doubt, consult your Healthcare Professional.Whats in the boxPOWERbreathe IMT deviceMouthpiece (PVC - not made with natural rubber latex or and phthalates)Nose clipStorage pouch4 cleansing tabletsUser manual

GEWA GIG BAG FOR TRUMPETS PREMIUMHigh quality Cordura 600 DenierTear- and waterproof30 mm foam paddingBlack1 TrumpetPlywood support for bell areaPermanently attached, adjustable deluxe rucksack straps