The 18 AAX Thin Crash from SABIAN introduces a whole new palette of sound to the AAX line. A smaller raw bell than typically found on larger crashes delivers fast response. A whole new style of AAX hammering ? much more visible on the surface of the cymbal due to the larger, rounder peen ? makes for a thinner, more complex and slightly darker crash. At the same time, more highs are introduced into the sound, resulting in a wider band of frequency. For drummers, that means brighter highs and more complex lows. SABIAN has always pushed the boundaries of innovation, using the latest manufacturing technology to answer new trends in music and sound. AAX Thin Crashes are no exception, answering the call for thinner, faster, more complex crashes.
Cymbal Zildjian FX Raw Crash Large BellThe Raw Crash is a cymbal like no other unrefined and completely unique. With a short and explosive crash, it also works as an alternate ride that is dry and cutting. Each sound sample below includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal. Vetted in the Zildjian Concept Shop and now available worldwide, FX Raw Crashes are the most unrefined and funky cymbals we've ever produced! Each Raw Crash starts from Zildjian's secret alloy, but is not hammered, lathed or trimmed, creating a sound and look that's unlike any other cymbal.A cymbal like no other. Raw crashes are not hammered or lathed, which gives each a highly irregular profile and an unrefined surface. They are also not trimmed into a perfect circle, resulting in odd shapes, sizes (max 24 in diameter), and a naturally coarse edge. Altogether, these variations in profile, shape, size and edge consistency are what create the wildly individual sounds from one crash to the next that make these cymbals so special. Unleash an unrefined sound. These cymbals open up easily, producing beautiful dry crashes with great cut, then drop out of the mix, allowing punchy accents and clear stick patterns. The small bell version of the Raw Crash delivers a controlled and dry sound, with less pronounced overtones. The large bell Raw Crash is a bit more open, with a more pronounced bell sound. Both versions offer a focused sound with plenty of stick to compliment any style, making them an excellent choice for an alternative ride cymbal! Their low shapes make them ideal for moderate volume settings where less projection is needed. A completely individual look. Aesthetically, each Raw Crash will feature streaks, splotches and swirls of varying colors. These are created when the hot metal is tempered, and over time, will continue to develop. Some Raw Crashes may show stretch marks from rolling, tool marks and scratches from moving the hot blanks, chalk marks indicating cup location and oven number, and other telltale signs of their journey through the foundry. These are purely visual features that occur naturally in the process, and dont affect sound or longevity in any way. - Each sound sample includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal - Dry, unrefined and funky - Untrimmed for unique, non-circular shape - Varies in size between roughly 20" - 24" - Explosive attack with quick decay - Also works as alternate ride - Family : FX - Size : Large Bell
THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth 2. Abridge 3. Angelus 4. Aurelia 5. Austrian Hymn 6. Belmont 7. Blaenwern 8. Carlisle 9. Christ the King 10. Colne 11. Cor Jesu 12. Corpus Christi 13. Crimond 14. Cross of JeSus 15. Darwalls 148th 16. Day of Rest 17. Dennis 18. Diadem 19. Diademata 20. Divine Mysteries 21. Dix 22. Dominus Regit Me 23. Duke Street 24. Dundee (French) 25. Easter Hymn 26. Ein Feste Burg 27. Ellacombe 28. Ellers 29. Eventide 30. Franconia 31. Geibel 32. Gerontius 33. Gopsal 34. Hanover 35. Hollingside 36. Horsley 37. Hursley 38. Hyfrydol 39. Innocents 40. Kocher 41. Laudate Dominum 42. Laudes Domini 43. Lloyd 44. Lobe den Herren 45. Love Divine 46. Lux Benigna 47. Maidstone 48. Mannheim 49. Martyrdom 50. Maryton 51. Melcombe 52. Melita 53. Miles Lane 54. Misericordia 55. Missionary 56. Monkland, 57. Monks Gate 58. Morning Hymn 59. Morning Light 60. Moscow 61. National Anthem 62. Nearer, My God, To Thee 63. Nicæa, 64. Nottingham (Mozart) 65. Nun Danket 66. Old Hundredth 67. Passion Chorale 68. Penlan 69. Pentecost 70. Pilgrims 71. Praise my Soul 72. Redhead 73. Regent Square 74. Richmond 75. Rimmington 76. Rockingham 77. St. Agnes 78. St. Albinus 79. St. Ann 80. St. Bees 81. St. Cecilia 82. St. Clement 83. St. Columba 84. St. Cuthbert 85. St. Denio 86. St. Ethelwald 87. St. Francis 88. St. George 89. St. Gertrude 90. St. Magnus 91. St. Michael 92. St. Oswald 93. St. Peter 94. St. Theodulph 95. St. Theresa 96. Samuel 97. Sandon 98. Sawston 99. Sine Nomine 100. Stella 101. Stracathro 102. Stuttgart 103. Tallis Canon 104. Turris Davidica 105. Victory 106. Vox Dilecti 107. Wareham 108. Warrington 109. Westminster 110. When He Cometh 111. Whitburn 112. Wiltshire 113. Wir pflügen (Dresden) 114. O Come All Ye Faithful 115. Away in a Manger 116. Hark! The Herald Angels Sing 117. Once in Royal Davids City 118. Nowell 119. Silent Night 120. While Shepherds Watched 121. Angels from the Realms of Glory, 122. As with Gladness 123. Christians Awake 124. The Coventry Carol 125. Ding Dong Merrily on High 126. Deck the Halls 127. God Rest ye Merry Gentlemen 128. Good King Wenceslas 129. Good Christian Men Rejoice 130. The Holly and The Ivy 131. I Saw Three Ships 132. It Came upon the Midnight Clear 133. Jingle Bells, 134. O Little Town of Bethlehem 135. The Rocking Carol 136. See Amid the Winter Snow 137. Unto us a Child is Born 138. Wassail 139. We Three Kings 140. We Wish you a Merry Christmas Index of Hymns Index of Carols Index of first lines of hymns listed with commonly used tunes AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat
Big & beautiful, three-piece folding music stand with large, deep desk.Height: from 585 to 1,220 mmLeg construction: U-profile legs with cross bracesMaterial: steelMusic desk dimensions: 485 x 240 x 42 mmProduct Category: ToplineRod combination: 3-piece folding designSize when folded: 490 mmTiefe: 42Type: blackWeight: 1.55 kg
This is a scale book of unprecedented scope. Simon Fischer has developed an entirely new method in which, using the traditional ways of practising scales only as a point of departure, he focuses on numerous often-neglected aspects of the violists technique. For every element he has designed exercises that sensitize the ear, stimulate the mind and build the playing apparatus of the violist. The many outstanding features of this book include:how to structure intonation around perfect intervals and leading notesa new approach to learning how to time shiftsextensive notation for preparing and holding down fingersone-, two-, three- and four-octave scales and arpeggiostwo-octave scales and arpeggios on one stringnew sequences for single-finger scalesMany well-known Fischer classics are also incorporated, including practice methods for intonation, smooth bowing, string crossing, fast fingers, fourth-finger extensions and placing fingers in blocks. The innovative and wide-ranging material in Scales keeps the player turning the pages, discovering yet more exciting ways to approach scales. The wealth of thought-provoking exercises encourages violists to re-evaluate their practice developing the playing skills of violists at all levels from intermediate to professional.ISBN: 1843670582EAN: 9781843670582Publisher: Edition PetersArrangement format: Instrumental SoloInstruments: ViolaGenre: EducationalLanguage: English
Kalimba Sela SEKL17SS, 17, Sapele SolidThe Sela Kalimba 17 Sapele has a solid body made of sapele wood. The medium brown coloring and tight grain of this exotic wood species from Africa are reminiscent of mahogany - and the tonal characteristics are also excellent. Sapele produces a clear and bright tone without sacrificing warmth in the bass and midrange. The 17 notes of the Sela Kalimba 17 Sapele are all on the C major scale, ranging from the note C4 to E6. Since all the notes fit together harmonically, even beginners can compose exciting melodies with this instrument in no time and accompany or play along with songs written in C major. Included with the Sela Kalimba 17 Sapele is a high-quality case with carrying strap and fitted padding that effectively protects the instrument from damage during storage and transport. Also included is a microfiber cloth for cleaning the Kalimba and a tuning hammer. The latter is needed if you want to retune the instrument. A tip: To check the pitch, you can either use a smartphone with a corresponding tuning app or a small clip-on tuner for guitars. - Sela Kalimba (thumb piano) - Number of keys: 17 - Range: c' - e''' (C4 - E6) - Tuning: C major - Wood: Sapele, solid - Color: Natural (matt finish) - Incl. padded carrying bag with loop, cleaning cloth and tuning hammer