Beelzebub Air varie, Andrea Catozzi arr. Curtis Peacock. Tuba and Piano

Sam Pilafian og Patrick Sheridan - The Brass Gym: A Comprehensive Daily Routine for Brass Players by Patrick Sheridan and Sam Pilafian. The Brass Gym includes a 100+ page book and 78 minute play-along CD featuring the two authors.Each book has been edited carefully by the following individuals:Trumpet Gym - Mark GouldHorn Gym - John EricsonEuphonium/Tuba - Sam Pilafian & Patrick Sheridan

MASTERING THE TUBA - ROGER BOBODESCRIPTIONMusic instruments are only tools, personally chosen tools, for expression through music. In order to make music, the tools must work. So is it with the skills of playing music. In order to play music the playing skills need to be developed and maintained. I am a teacher who has always put musicality above all else. I still strongly believe in this, but of course for any musical idea to function, our playing skills have to work too. Many of these exercises are modifications of exercises for other instruments, many are original, all of them are good. Every player needs to discover his own optimum warm-up. Of course it will change from person to person and for a single musician it will change from day to day. Thats the trick; no book can guide a player through his optimum personal warm-ups, but I sincerely hope that the materials in this book will help you find your best path. The exercises in this book are very easy to memorize; leave the book out of the warm-up process as soon as possible. Change the routine in someway everyday. Have the courage to experiment; these exercises are only starting ideas. Be your own teacher: a patient, persevering, wise and kind teacher, a teacher who is keenly aware of your personal needs, and a teacher who knows the joys of making music. Now proceed as a student with a balance of patience and perseverance.SPECIFICATIONSComposer BoboInstrument Group TubaInstrumentation TubaProduct Type Book [Softcover]Publisher Editions BIMEAN 0123254620609Edition Number BIM TU5MASTERING THE TUBA - ROGER BOBODESCRIPTIONMusic instruments are only tools, personally chosen tools, for expression through music. In order to make music, the tools must work. So is it with the skills of playing music. In order to play music the playing skills need to be developed and maintained. I am a teacher who has always put musicality above all else. I still strongly believe in this, but of course for any musical idea to function, our playing skills have to work too. Many of these exercises are modifications of exercises for other instruments, many are original, all of them are good. Every player needs to discover his own optimum warm-up. Of course it will change from person to person and for a single musician it will change from day to day. Thats the trick; no book can guide a player through his optimum personal warm-ups, but I sincerely hope that the materials in this book will help you find your best path. The exercises in this book are very easy to memorize; leave the book out of the warm-up process as soon as possible. Change the routine in someway everyday. Have the courage to experiment; these exercises are only starting ideas. Be your own teacher: a patient, persevering, wise and kind teacher, a teacher who is keenly aware of your personal needs, and a teacher who knows the joys of making music. Now proceed as a student with a balance of patience and perseverance.SPECIFICATIONSComposer BoboInstrument Group TubaInstrumentation TubaProduct Type Book [Softcover]Publisher Editions BIMEAN 0123254620609Edition Number BIM TU5MASTERING THE TUBA - ROGER BOBODESCRIPTIONMusic instruments are only tools, personally chosen tools, for expression through music. In order to make music, the tools must work. So is it with the skills of playing music. In order to play music the playing skills need to be developed and maintained. I am a teacher who has always put musicality above all else. I still strongly believe in this, but of course for any musical idea to function, our playing skills have to work too. Many of these exercises are modifications of exercises for other instruments, many are original, all of them are good. Every player needs to discover his own optimum warm-up. Of course it will change from person to person and for a single musician it will change from day to day. Thats the trick; no book can guide a player through his optimum personal warm-ups, but I sincerely hope that the materials in this book will help you find your best path. The exercises in this book are very easy to memorize; leave the book out of the warm-up process as soon as possible. Change the routine in someway everyday. Have the courage to experiment; these exercises are only starting ideas. Be your own teacher: a patient, persevering, wise and kind teacher, a teacher who is keenly aware of your personal needs, and a teacher who knows the joys of making music. Now proceed as a student with a balance of patience and perseverance.SPECIFICATIONSComposer BoboInstrument Group TubaInstrumentation TubaProduct Type Book [Softcover]Publisher Editions BIMEAN 0123254620609Edition Number BIM TU5

Concone, GiuseppeLegato Studies (40), op 17 (Miller, Don)A popular alternative to the Bordogni/Rochut Melodious Etudes. These 40 vocalise transcriptions are good for development of lyrical style as well as rhythm and technique. Set in bass clef. Effective for trombone, euphonium, tuba, bassoon or cello.Category: Trombone StudyCatalog No: ENS054UPC No: 659550005401

Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 70cm

Scales for Advanced Violinists,  Barbara Barber Scales for Advanced Violinists is a technical source book for violinists compiled and edited by Barbara Barber. This 27-page book presents practice suggestions and ideas to take the monotony away from scale practice and to develop and improve evenness, clarity, agility, speed and intonation. The circle of 5ths is presented with 1st position finger patterns. Scales and arpeggios are written out with rhythmic variations and different combinations of bowings. Octaves, thirds, sixths, fingered octaves and tenths as well as harmonics, broken thirds and chromatic scales are also presented with practice suggestions. This is an excellent guide for advanced students and teachers.

Norsk Korbok - 58 utvalgte korsanger for blandakorKomponist: DiverseTekstforfatter: DiverseArrangør:  DiverseType kor:  BlandakorGenre:  Folketoner norske / Seriøs/klassiskKommentar: For det meste SATB a cappella Forord:Norsk korbevegelse forvalter en rik kulturarv som strekker seg fra folkemusikkens lange røtter via den nasjonalromantiske periode, til det siste århundrets klassiske komponister og visesangere. Det finnes et stort mangfold av korutøvelse i vårt langstrekte land, fra små vokalensembler til bygdekor og store oratoriekor. Korboka viser et tverrsnitt av musikalsk og tekstlig uttrykk som finnes i norsk a  cappella korlitteratur for blandakor. Vi håper samligen kan bidra til å utvikle et kjernerepertoar blant norske kor, et repertoar som sangere og dirigenter kjenner og som kan styrke fellesskapet på lokale og nasjonale arenaer der korfolk møtes. Agnus Dei (fra Missa brevis) (Leif Solberg)Ave Maria (Trond H.F. Kverno)Ave Maria (Andrew Smith)Ave maris stella (Edvard Grieg)Balladen om freden (Johan Kvandal)Blå kveill (Tove Karoline Knutsen, arr. Ola Graff)Blå salme (Henning Sommerro)Bruremarsj fra Valdres (arr. Steinar Eielsen)Bruremarsj fra Valsøyfjord/Aure (arr. Henning Sommerro/Grete Pedersen)Bruremarsj fra Østerdalen (arr. Per H. Indrehus)Bysjan, bysjan lite bån (arr. Frank Havrøy)Christe eleison (Georg Reiss)Den fyrste song (Lars Søraas, arr. Bjarne Volle)Den yndigste rose (arr Henrik Ødegaard)Det lysnede i skogen (Sigurd Islandsmoen)Dropen (Conrad Baden)Du som låg i natti seine (Johan H. Grimstad)Eg veit i himmerik ei borg (arr. Ludvig Nielsen)Fagert er landet du oss gav (Melchior Vulpius, arr. Per Steenberg)Fjell-Noreg (Carl Gustav Sparre Olsen)Gjendines bådnlåt (arr. Gunnar Eriksson)Gud signe vårt dyre fedreland (C.E.F. Weyse, arr. Oscar Borg)Herre Gud! Dit dyre navn og ære (arr. Øistein Sommerfeldt)Herre Jesus gi meg nåde (arr. Bjarne Sløgedal)I will praise thee, O Lord (Knut Nystedt)Ja, vi elsker dette landet (Rikard Nordraak)Jeg er i Herrens hender (Sigurd Lunde, arr. Per Inge Almås)Jesus, din søte forening å smake (arr. Knut Nystedt)Jubilate, amen (Halfdan Kjerulf)Jubilate Deo (Arild Sandvold)Karin Boyes aftonbön (Egil Hovland)Kongesangen (fra Thesaurus Musicus, 1744)Kvite vengjer (Thomas Beck)Marias lovsang (arr. Odd J. Overøye)Masurka (Jentelokken) (arr. Andrew Smith)Med Jesus vil eg fara (arr. Henning Sommerro)Mellom bakkar og berg (L.M. Lindeman, arr. Sverre Volle)Menuett i mai (Vidar Sandbeck, arr. Bjarne Volle)Mitt hjerte er ditt (Geir Holmsen, arr. Hans Waagø)No livnar det i lundar (L.M. Lindeman, arr. Henrik Ødegaard)No vi' eg a' te' Jondalen og fri (arr. Henrik Ødegaard)Naar fjordene blaaner (Alfred Paulsen, arr. Kristian Wendelborg)Peace I leave with you (Knut Nystedt)Pål sine hønur (arr. Knut Nystedt)Påls fuge (Sigvald Tveit)Småsporven (Catharinus Elling, arr. Dag Kristoffersen)Solskinnsvise (Preben Nodermann, arr. Henrik Ødegaard)Sulle, rulle gulldokka mi (arr. Arne Dagsvik)Sønnavindvalsen (Bjarne Amdahl, arr. Per H. Indrehus)Tota pulchra es (Ola Gjeilo)Trolldans (arr. Bjørn Kruse)Ut mot havet (Edvard Fliflet Bræin)Vitae lux (Frode Alnæs, arr. Stein Ivar Mortensen)Vuelie Skæhkaristie (Frode Fjellheim)Vårsøg (Henning Sommerro)Å, eg veit meg eit land (Barndomsminne fra Nordland) (Adolf Thomsen, arr. Henning Sommerro)Å vesle Kari vår (arr. Eyvind Alnæs)   

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

Slide-Whistle Acme 472 28cm Lang, Ca 2 Okt, *Song Whistle Sliding Plunge, Svart Plast